B
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Babak Anvari
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毕扬·丹斯曼
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男子学校的课堂上,男孩们等待着老师的到来。当一脸严肃的男老师走进来的时候,气氛一下子变得沉闷不堪。教室广播突然响起:同学们,今天学校将会有一些改革和变化。你们的老师将会对于你们的未来给出建议和规划,而你们需要做的就是仔细地听取老师们的建议,并严格遵从他们的指示。你们将是学校和同学们的骄傲。 广播播报完毕后,男老师在黑板上写下“2+2=5”。大家都非常吃惊,这根本就不符合常理。但是老师宣称这是让男孩们学会的第一个“真理”。一片安静过后,男孩们都跟随老师一起读着。终于,一个男孩举手质疑这个答案。可是在老师的强迫下,他默默地坐下了。此时第二个男孩也站起来跟老师争辩。可是老师的答案却是:你不需要任何思考。男老师甚至找来大学生来恐吓这个男孩,他的同班同学更是不想惹祸上身。老师再次疾言厉色地问道:答案到底是几?男孩毅然在黑板上写下了:4。随之,悲剧的一幕发生了……
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马克·鲍力施
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After new CIA recruit, Kelley Chandler (Polish) is seriously injured during a mission, surviving only on life support, his wife Tess (Agron), a former CIA operative, becomes determined to find out what happened to her husband. As the details of Kelley's last mission unravel, showing that his accident was an inside job, Tess puts everything on the line to keep Kelley out of harm's way, even if that comes with dangerous consequences.
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费尔南多·冈萨雷斯·莫利纳
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Killian is a young man who has never left the remote mountains of Huesca (Spain) which saw him grow up. In 1953, he travels back to the exotic Equatorial African island of Fernando Poo, in Spanish Guinee, where he was born, to work in a cacao plantation alongside his father and his brother. During 20 years in this island, until the troubled days of independence, he will undertake a journey towards maturity and knowledge, but will also have to deal with pain and loss.
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约翰·达尔
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When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
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马丁·斯科塞斯
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本片是为一个长达一周的反战示威而拍的,该示威的主题是“愤怒的艺术家反对战争”。当时,关于“越战”的尖锐争论正在把美国人分成两个阵营,而我们可以把这部影片看做是斯科塞斯的政治表态。全片长6分钟,用恐怖的画面表现了一个年轻人如何对自己的脸进行摧残。该片参加了1968年在比利时举办的雅克·勒杜实验电影节(Jacques Ledoux’s 1968 Festival of Experimental Cinema),并且获得了“金色时光奖”(Le Prix de L’Age d’Or)。拍摄该片所用的10卷爱克发彩色胶片系由比利时电影艺术馆赞助。由斯科塞斯自编自导的《剃须记》是一个关于自我毁灭的血腥寓言。
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贝特朗·塔维涅
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亚历山大·达亚尔·德·渥姆斯高大英俊,是一位很受女性欢迎喜爱、充满魅力的男子,捎带着他也是启蒙运动之国-法国的外交部长。他有着银色浓密的鬓发、运动员般的体魄、略为黝黑的肤色,从纽约联合国的讲台到中非战争一触即发的乌邦加地区,他的身影无处不在。在这些地方,他责问当权者、恳求伟人们,以带来和平、让那些好战者的神经平静下来,这些都证明了他头上那诺贝尔宇宙和平奖的光环。亚历山大·达亚尔·德·渥姆斯有着强大及随时准备战斗的头脑,遵从外交手段的圣三一原则:合法、明智及效率。他与新保守主义的美国人、腐败的俄国人及贪婪的中国人周旋。尽管世界配不上法国精神的伟大,但法国的精神艺术却感到被紧紧封闭在自己国内。年轻的法国国家行政学院毕业生亚瑟·弗拉曼克受聘外交部,负责外交部长的“发言”。就是说,他要为外交部长的讲话撰写发言稿!但他是否还需学会小心谨慎地写作及处理与部长周围工作人员的关系,在办公室主任与各位在外交部转来转去的顾问之间找到自己的位置,在这里,压力、野心和肮脏的把戏屡见不鲜......他在这里瞥见世界的命运,然而却也受到高级专家官员们官僚惰性的威胁。[by.沪江法语] Quai d'Orsay,这里用了时光网的翻译,作《奥赛站台》,其实是巴黎沿着塞纳河的一条路名,中文直译为:奥赛河岸。法国外交部位于这条路上,因而常指法国外交部。
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Rajesh M. Selva
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Vasu, a young medico, after rescuing one of his patients from a murder attempt finds out that his pregnant wife is abducted, and the kidnappers demand the patient he saved in exchange for her safety.
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比尔·康顿
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本片讲述好莱坞著名大导演詹姆斯·威尔(伊安·麦克莱恩 Ian McKellen 饰)1957年的最后人生。这位创造影史最惊悚角色“科学怪人”的导演已淡出电影界, 正潜心研究绘画,闲时仍与一些男子频频约会。当管家汉娜(琳恩·雷德格瑞夫 Lynn Redgrave 饰)录用了新园丁、身强力壮的前海军陆战队成员布恩(布兰登·费舍 Brendan Fraser 饰)后,威尔的兴趣渐渐全部转移到布恩身上。威尔象一只爬向苍蝇的蜘蛛一样一点点接近布恩,引领后者一步步走进精心设计的圈套。原来威尔虽然已停止拍片,但自从见到布恩后,他发现布恩同自己片中的主角弗兰肯斯坦极为相似——不善言辞、单纯质朴且难以理解。威尔感到自己无法冷却心中的热爱,只有布恩才能解除他的痛苦,他的计划就是诱使布恩最终杀死他本人,从而得以亲手实现一生中最完美的电影情节...... 本片通过年老好莱坞名导与年轻园丁的微妙接触,以及由此触发过往回忆的碎片,娓娓刻画奇妙而复杂的同性情愫,勾勒出一个友谊、尊重、爱恋、抗拒、厌恶、恐惧等情感荡涤的世界。影片不断穿插《科学怪人》的电影画面和台词,它巧妙地暗合了同性恋与科学怪人共同的被歧视性地位和恐惧处境。导演戏谑而平静的虚实铺陈出一位同性恋导演的最后生命旅程,堪称黑色喜剧的杰作。《众神与野兽》获当年奥斯卡最佳改编剧本奖,同时入围最佳男主角、最佳女配角。本片也是以“甘道夫”形象风靡世界的伊安·麦克莱恩爵士演艺生涯中最重要也是最出色的一次演绎。
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吉奥夫·米德
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A global scientific summit debates and fails on a plan to stop a massive asteroid heading straight for Earth, with all countries blaming each other for the impeding disaster. With communications tense, the daughter of a tech billionaire assembles her own team of specialists to try to destroy the asteroid before it is too late.
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Ross MacGibbon,Ian Rickson
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疫情时期特别录制、伦敦西区2020年全新复排版契诃夫名作《万尼亚舅舅》在结束演出后,又重回哈罗德·品特剧院录制了这一五星作品。在全球大部分剧院仍处于黑暗之中时,给人们带来一剂警醒的力量和希望。被《旗帜晚报》誉为“我们时代的‘万尼亚舅舅’”。 此版复排由奥利弗奖得主、出演过《美国队长》《控方证人》等剧的托比·琼斯,和因《霍比特人》《南方与北方》走红的理查德·阿米蒂奇领衔主演,录制版本还邀请到两度奥利弗奖得主罗杰·阿拉姆加盟,卡司阵容十分抢眼。剧本由康纳·麦克弗森全新改编,著名导演伊恩·里克森再度操刀,献上一部"完美"“尖刻”“精彩绝伦”的复排,获得包括最佳话剧男演员、最佳导演在内的四项奥利弗奖提名。 契诃夫名作《万尼亚舅舅》讲的是精神信仰的幻灭,从另一个角度看蕴含着重建的希望:万尼亚舅舅和他的外甥女索尼娅常年住在乡下庄园,只有医生阿斯特罗夫偶尔来访。万尼亚舅舅日复一日庄园劳作、翻译著述和誊写稿子,都是为了索尼娅的父亲、他的姐夫谢列勃里雅科夫教授。对教授的崇拜,支撑了万尼亚舅舅半生辛苦的价值,然而教授带着新婚的年轻妻子回到庄园时,一切秩序和幻想都被打破了……
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Betty Thomas
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Gwen Cummings is a successful New York writer living life in the fast lane and everyone's favorite party girl. She shares this roller-coaster lifestyle of hopping from dance club to bar to hangover with boyfriend Jasper-handsome, magnetic and equally attracted to life on the wild side. Life is just an exercise in debauchery-until Gwen's ungraceful display at her sister Lily's wedding, when she gets drunk, commandeers the limo and earns herself a DUI and 28 days in court-ordered rehab. There, Gwen comes face to face with a unique set of rules (like no cell phones) and rituals (like chanting) embraced by an assortment of fascinating fellow re-habbers: Eddie, Gerhardt, Oliver, Andrea, Roshanda, and Billie Jean. A jaded city girl to the core, Gwen is determined not to conform. Then she meets Counselor Cornell, who begins to break through her carefully constructed defenses and force her to take a closer look at who she really is. Ultimately, through the companionship of! her group as well as a devastating loss, Gwen gradually loses her cynicism and begins the long struggle to take back her life. Maybe, she discovers, your insides can match your outsides.
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Steve Barron史蒂夫 巴伦
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萨莉亚苏丹(多格雷·斯科特 Dougray Scott 饰)一直无法原谅妻子和自己的弟弟偷情,尽管妻子已经不在人世,但他依然被愤怒和绝望侵扰,整整四十天无法入睡,肉体和精神都已经濒临崩溃的边缘,再这样下去,他不仅无法继续坐在王位上,更有可能连性命都丢掉。 按照律法,萨莉亚苏丹必须马上找到一名女子与其结婚,可是,萨莉亚苏丹早已经失去了对女人的全部信任,他决定在新婚当晚便处死自己的妻子。这个命不久矣的女人便是桑赫莱扎德(米莉·阿威塔尔 Mili Avital 饰)。然而,桑赫莱扎德并没有屈服于命运,而是运用自己会讲故事的天赋,用一个又一个充满了天马行空的奇思妙想的故事留住了自己的性命,并且最终唤起了萨莉亚苏丹对于爱情的渴望。
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埃德加·G·乌默
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One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
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Sergey Livnev
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This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-force/army, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of "Forrest Gump" in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.






























